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These crises are enacted on the Uruguayan stage and contextualized through networks and spatial topographies, intertextualties on the page, explorations of history and memory, and ultimately notions of identity in four areas: The introduction launches the study by addressing these political and economic trends, the spatial turn in theater and performance studies, the rise of multiculturalism, and also examines the Uruguayan historical context of the post-dictatorship and impunity laws that pit national sovereignty against international human rights laws. Peveroni , cultural geography and pyschogeography chapter two: Morena , midrash and questions of human rights and growing fascist trends chapter three: The concluding chapter Blanco looks at the reinterpretation of Greek tragedy as a commentary on the messy process of democratization.

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